Here's a bunch of cool original Atoxxxico flyers scans that I got from a very kind japanese collector (thanx Jum!)
sabato 27 dicembre 2014
lunedì 22 dicembre 2014
Psykisk Terror
A few months ago I've mentioned here the great norwegian band Urbanoia. Well, their second ep "Psykisk Terror" has been finally released circa a month ago, courtesy of a cooperation between the swedish label D-Takt & Rapunk and the american Solar Funeral Records. While aesthetically this release is extremely similar to their previous effort, when it comes to the music these young & pissed off norwegians show a more USHC approach to their songwriting this time, yet maintaining a connection with their regional roots (thanx Odin they still sing in their native language!). The final result sounds like the mongoloid child that would born from a nasty intercourse between Poison Idea (Pick Your King era) & Svart Framtid. And it's for sure one of the best ep released this year. Too bad it's again a very short release that ends too early...next time I want more songs!
venerdì 12 dicembre 2014
Dead Friends
What went wrong in Portland, Oregon? I mean, before being crusties' paradise, it used to unleash some of the fiercest USHC bands back in 80s'. Of course I'm pretty confident that you're all familiar with Poison Idea. But there were also Final Warning & Portland's most hated band, Lockjaw. The last one self-released two awesome eps between 1982-83 that contained a good dose of perfectly executed yet sometimes sloppy thrash/hc/punk. Unfortunately with a provocative attitude & songs titled "she's a slut", "Go Back" and my favourite "No Ⓐ", they didn't make many friends. I guess that dumb punks were not ready back then (and still aren't) to being provoked themselves. So of course everyone ended up hating them. I've indeed heard stories of a couple of stores that destroyed all their copies of Lockjaw's records they had in stock!
Straight forward to 30 years later and Lockjaw has reached a cult status, even if haters are still hating, and the originals, printed in mere quantities, have of course become expansive collectors items. In the repressing frenzy we've been all witnessing in these last 10+ years, it took a spanish label, Antitodo Records, to have the guts to reprint Lockjaw second effort, "dead friends" 7". A perfect reproduction of the original. 300 on clear, 200 on grey wax. Since there are around also test presses for their debut ep "shock value", I'm quite confident that it won't take that much until even the repress of their debut will see the light.
mercoledì 3 dicembre 2014
SAIRAAT MIELET interview 2003
Interesting chat with Sairaat Mielet, a criminally underrated sxe band from finland that was around during late '80s/early '90s. Taken from Short, Fast & Loud #10, summer '03.
martedì 25 novembre 2014
Basta!
Earlier in october I got a mail from Fred, a guy from Brazil who asked me if he could send me a couple of releases from his band Nao Conformismo. Since I liked what I've heard on their bandcamp, I said yes of course. Almost two months later (not sure if I have to blame for such a long delivery time poste italiane, brazilian post or the scary combination of both!) a big parcel from brazil finally showed up. It contained two copies each of their 2012 "basta" lp and "autoflagelo da humanidade" 7" from this year. Both self-released on their own laber Atitude Consciente Records. First thing I've noticed, like all the other brazilian records I own, they do smell funny. Not sayin' they stink. But brazilian records always have their own peculiar & intense scent. And it's not just a matter of smell, Nao Conformismo also sound as brazilian as feijoada and saudade. A combination of solid & heavy production, midpaced hardcore songs with a metallic sound, political lirycs and gruff vocals that cannot not bring to mind their legendary country mates Ratos De Porao or Colera. All well executed and pretty solid if you want my two cents. Too bad the computerized graphics of both their records are quite horrible. I can see a lot of people skipping it since, honestly, they look like bad modern nu-metal bands cover. And that's a shame since this band deserves attention.
Since Nao Conformismo were kind enough to send me two copies each of their records, the first person who ask for them will get my extra copies for free (as long as they will cover the shipping costs).Just drop me a line or leave a comment if you're interested.
martedì 11 novembre 2014
Tales of a pretentious asshole#005
Let's keep it colombian with one of the main political raw & noisy hardcore band from Medellin, the legendary Restos De Tragedia. These guys got together in late 80s' from the ashes of local classic metal acts such as
Parabellum, Maleficio, Blasfemia and Masacre. When indeed Parabellum and Blasfemia disbanded,
Ramon Restrepo (vocals in Blasfemia & Parabellum) and Cesar Quiceno (bass and vocals in Maleficio) joined forces to create RDT with Agustin Moscoso (vocals) and Elkin Cossio (drums). The band lasted from '87 to '92, releasing a demo and two full eps. While colombian records usually pop up for sale once in a while, for some unknown reason both the RDT eps are pretty elusive and damn rare in these days. So when I found a guy selling both, I knew that I couldn't miss them. Sent a fair offer, et voilà, now both these fuckers are finally mine!
"Ser Y No Ser" 7" is their self-released debut ep from 1989 and their best release in my opinion. Incredible raw & dirty sound that goes along perfectly with the catchiest songs the band ever wrote. Along with Imagen, Herpes, Dexkoncierto and Ataque De Sonido, RDT are part of the noisiest and rawest band from the medellin scene and probably the best band doing it (well, it's a tie with Imagen). And this ep captures them in their finest moment. Also the cover artwork is pretty good. For sure a solid debut.
Fast forward to 1992, the year when they also disbanded, and we got their second full ep: "Medellin presenta: a Restos De Tragedia". Again self-released by the band with nine tracks on it, this is pretty much the same band of their debut ep. Well, except for a rougher & more confused sound that make them loose a bit of their energy. Also the front artwork is quite ugly (but back cover looks very good). That being said, I'm just being anal. It's still solid, raw as fuck proto-noisecore from south america. The way I love it. Definitely worth your time if you're not already familiar with them.
Annoying collector details: inside cover of my copy looks like a printing error: there's only 1/4 of what should be printed on it. Am I the not so lucky owner of what looks like an unwanted variant or do all copies look like this?
Around 2008 the band reformed. Not only they do play gigs, but they re-recorded most of their material and released it on a cd and a split ep with Coche Bomba. A couple of years ago FOAD released a full discography lp. Here's the complete RDT discography I've tried to put together:
-demo tape (self released, 1987)
-"ser y no ser" 7" (self released, 1989)
-VA "la ciudad podrida vol. I" lp (1990, three tracks)
-"medellin presenta: a restos de tragedia" 7" (self released, 1992)
-"malos tiempos buenas ideas" cd (Calderon Prod, 2008)
-split 7" w/Coche Bomba (Noseke Rec, 2012)
-"radikal evolution" discography lp (F.O.A.D., 2012) -split 7" w/Coche Bomba (Noseke Rec, 2012)
sabato 1 novembre 2014
Sociedad Violenta on MRR plus Medellin ads
Here's some kind of bio written directly by the guys from Medellin's very first punk/hc band Sociedad Violenta that appeared on an old MRR from 1989.
Here's also a couple of Medellin related ads from early 90s' MRRs.
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