giovedì 2 gennaio 2014

RECKLESS AGGRESSION interview 2011


Last awesome band from Australia. Pure hate filled un-pc hardcore. Interview originally featured in PM#7. Conducted w/Meatdog via mail around early '11.
Perro: How does Reckless Aggression started? What was the primary reason/ goal to make you start it?
Meatdog: Me and my pals just got sick of the same old shit bands and wanted to hear something we liked, that was stuff like Condemned 84, and united blood ep. Anthony and Dan did a demo recording called LIFES FATE who didn't quite have a solid line up at that point, but had one of the best demo tapes that'd come out of Melbourne in years, Anthony was doing vocals but i wanted to cause he's also a fucking awesome drummer, and all they needed was a drummer, the feeling was there to start something new, i wanted to fuck off out of Melbourne cause nothing was really keeping me here so i asked my friend Joel if he'd want to drum in a punk band again, and we started RA. I stayed in town and the rest is history. No goals or reason just Open season on Melbourne and it's art faggot culture and also to put a little wind up some crusts skirts.


Perro: You got your name from a White Noise lp, a record perfectly described by Mr. Beau/ Not Guilty with the following words of wisdom: "It's probably the best Oz Punk LP this side of Aspirations but it has been forever confined to the record collections of dudes that own a first edition copy of Mein Kampf. Can of worms". I know RA has a "no politics" policy, but did you ever get shit for being named after that record?Meatdog: I actually own the lp and a first edition copy of Mein Kampf, Beau hit the nail on the head! I really like the sound, the vibe and attitude of that 80's breed of Australian oi. And feel it is what our band is minus any political direction or cause. I don't think we've copped too much shit at all, to be honest the new breed of hardcore kids today don't take things as face value as much or try and be righteously political anymore. The funny thing is the majority of guys i have spoken to who have a massive problem with "nazis" love Reckless Aggression, so whatever storm in a tea cup problems they have with all that doesn't roll into their appreciation for us, like most of those types, go figure. White Noise put out the best Australian punk lp ever, i could write an essay on how good each song is, it's depth and importance . But i wouldn't be that much of a cock sucker. The music is ballsy, the lyrics tread on levels fuck all skinhead bands do, they don't care, they are personal and free thinking it's my kind of punk. Their brand of skinhead would have attracted the worstmen of the skinhead scene and that's pretty much what i'd like to attract to RA just the worstmen of todays punks, rejects, assholes and violent cunts that can't find what they're looking for anywhere else, just fuck up everyones day.

Perro: Have you ever been accused of being a nazi band? I remember in one issue of GG you said that you got bad looks for being a skin while you were at a crust gig...
Meatdog: Sure i know people talk shit and say stuff behind our backs,my back. But i think they are just afraid of anything different from themselves and our style represents power and they are insecure people. With no knowledge of our culture other then a few choice big name films about Ultra Rightwing Supporters of German Nationalism. Skinheads always get funny looks from morons. But no ones had the back bone yet to ask us in person where we stand? The thing is the punk crowd are a bunch of Fascist left wing clones without a free thinking mind among them, so a little Clean cut style and pride goes a long way to shake em up. But we aren't going away, hopefully with the sudden popularity of RA alot more kids get into oi and skinhead culture here, i'd love to see a rebirth in my time. Something really ugly and out of hand.

Perro: The demo has been out for a while now and it received an awesome response worldwide. It has even been repressed onto vinyl by a quite big yankee label. Were you expecting it? How was the reaction locally?
Meatdog: It's been very surprising how large a response the demo has received, it's just what the doctor ordered for alot of people i think. Even if it only gets compared to 86 Mentality? But that's the limited knowledge of todays hardcore crowd for ya. We are alot more well received over seas then locally because people know us and hate us personally here, which is great! the only time we get a good response locally is when my friends from New South Wales come down and cause trouble. Melbourne is a soft crowd. A social scene. Getting your demo pressed to vinyl is overwhealming, i'm surprised how much people like the demo. I can't wait till the ep is out on Six Feet Under, then you will get a record worth spinning right up there next to gay youth crew in the Revelation catalogue and coming to a chain store near you!
 


Perro: I remember that after recording the demo you've been inactive for more than 6 months and you told me that you were not even sure if RA would be active anymore. How's the situation now?
Meatdog: There's no "situation" anymore and everyone is back on the horse, it just got stagnant for a while, not so much us but the desire to play gigs here to people we hate. Having practice has been productive and we are enjoying playing again. Not that anything has really changed but the shows are attracting "our crowd"


Perro: I do really like the lyrics of "Nobody" and I totally relate with them. But in today hc scene it seems that a big portion of people are involved in it only to gain notoriety and trying to be "cool" by conforming themselves to what other people expect them to be. A big mass of clones that are not even able to think with their own mind...
Meatdog: I was seeing this girl who thought i'd think she was really cool by telling me "i fucked this guy in Slipknot he had the biggest cock i'd ever seen" Yeah bitch i wanna hear that shit when i like you a lot. Fuck being an idol for idiots, i hate sport stars and i hate bullshit fame. I hate suck ups and social crawlers, cunts with no heart who just aim to please, their friends, their boss, the world. Rather just be alone so i don't have to deal with fucking humans. Get a job, buy a house, get a stupid sports commodore, you're doing well suck your fathers cock. People at punk/hardcore are no different bands that just want everyone to like them and do big tours, happy positive weak as fuck bullshit.
 


Perro: You're doing gigs not very frequently. Which kind of reactions do you usually get? How's a typical RA set?Meatdog: If my friends from NSW are in town they slam pretty hard to us but if not? then people just stand there and fold their arms. We find it hard being able to play because of work and shit but playing only so often is fine. Makes for a better release. All the gigs have been different i hope there's nothing typical about playing but if we are playing in Melbourne it's bound to be dry and reactionless. It isn't always like this but in general it is. We played with TAIPAN from Sydney and the gig turned into a mini riot with cops getting called, lights getting thrown, black outs and bloody faces, power was still on with no PA kids sklamming in the dark to "conformity" Siege and "move back" THINK I CARE!!! mind blowing shit. 

Perro: I've heard rumors of a possible new record coming out this year and, if I remember well, few months ago you told me you recorded a new demo...Meatdog: We are set to record a new ep mid mum shah sometime so hopefully that gets pressed soon after. We never actually did a second demo recording, but my friend Admo from Tamworth did a bootleg recording of our last gig and you can hear some of the new songs on there.  

Perro: You're also a zine editor: first it was Soapbox and then Groingravy. Both zines have an unique approach and, expecially GG, very strong and offensive contents. What goals did/do you wanna achieve with your writing?Meatdog: I just wanted to say something honest i suppose, cause i listen to and am really into hardcore punk. Alot of the times if no one saids something honest these bands go through and think they are top shit cause all these idiots tell them they're great and then they go on tour and make too many shirt designs and then tour overseas and get money and that's how the new "hardcore" works. It's all a joke, so i guess i just wanted to have my say from a true fans perspective, and not a cocksuckers perspective trying to shake everyones hand and get free shit. Also to get out some creativity along the way.

Perro: The first time I saw an issue of Groin Gravy I immediately thought about how printing shop employees would look at you disgusted when asked to print copies of GG. Any funny related anectodes?Meatdog: When i was printing up the issue of Soapbox with the dorothy drawing on the cover some family was next to me and the kid saw it and got excited, printing is always sketchy cause of the porns and shit, i use magazine cut outs so they stick out like dogs balls when i print, no ones ever hastled me though. I get flyers scanned and the worker.

Perro: I've heard stories about Soapbox causing troubles in Brisbane a few years ago. Please explain it better. Also, does something similar happened with GG too?
Meatdog: Cade and Beau from CHUNKS sine were selling them a few years back in Brisbane at some gig and this chick gathered a crowd of half wits to protest the sale of Soapbox in the small hall, load of wankers. You'd have to get in touch with those guys to know the details, though. GG got taken off the shelves in Missing link records cause i had too much to say. 
Perro: I'm pretty sure you are going to tag them simply as a bunch of junkies scum, but the way you are using porn and nazi images to provoke indoctrinated PC crusties has always brought to my mind those Perth degenerates also known as Rupture...
Meatdog: I'm a fan of early Rupture! i have a few records but that early stuff is on cd. I couldn't care less if they do drugs, that shit is next level for 90's Aussie hardcore. Fuck Melbourne mindset, fuck try hard political crusaders. Fly the flag and listen to mushed out mania and slam skank through a wall! Here's a little secret i'm actually doing a new band with Stumbles and Zombo from Rupture called TRICK BABIES we have like 4 songs so far, think early Rupture sliced with hard slam pits and SSD. Possibly no live shows due to human interaction and people might enjoy themselves but we will record something and have it pressed in Europe hahaha.

Perro: The only other zine that could be compared to GG is Tesco Vee's Touch and Go. I think your approach to hardcore is quite similar. Was it an influence? Which other zines have an impact on you?
Meatdog: I only ever saw my first copy of Touch and go last year in that book release, it's good shit! Very cool approach, no fucking around heaps funny shit. I don't know what first influenced me maybe wanking? i was into doing online porn site and vas reviews when i started with demo and records, short interviews with THINK I CARE. Rest is history. Along the way i've really liked White Trash from 84' Portland sine by tony and Del from LOCKJAW!!!!!! Lockjaw and YDI are my influences when making zines.

Perro: You're doing a lot of sick drawings, not only for your zine but also flyers and a few record artworks. I expecially like the Deathcage ltd cover and that Eye Gouge cdr is pure genious. When did you start drawing? What are your influences? Which kind of stuff were you doing when you were a kid? I'm asking it since I'm supposing you were one of those problematic child that spent a good portion of time at the school's psychologist office...Meatdog: Hahahhahaha nah i don't know about that, i drew some comic called JEWrasic park once when i was young about Jewish dinosaurs with ear locks and some bullshit stories that went on for ages with paintings. Who knows about school, i liked stealing things out of kids bags, so when there'd be an assembly or sports game all the bags would be piled together and i'd sit next to em and pretend to be doing something and then steal things out bags, the best thing i ever stole was a 7 dollar Aliens comic off a kid that used to have purple around his mouth from sucking on a hyper colour shirt, some fat cunt. Today when i draw my influences are just i dunno, weird photos i can find, pornography and my own imagination. I am a big fan of CHUY from Newyork and Eric Cooch Lockjaw, his stuff is wild swell as Crowley, his stuff is the best. 

Perro: In #2 you reviewed Rohan/ Extortion.That was the first time ever I saw a review of a human being! How was his reaction? I mean, it's a good review but I'd kinda feel weird and maybe violated being reviewed as a person in a zine... 
Meatdog: I'm mates with Rohan i was talking to him for ages the other night, he's really into Nuclear explosions and docos about radiation fallout shit, he's a cool guy. I just thought it'd be funny to see what he did to me, which was nothing. Ya know those quiet weird kids that snap and stab people? well he aint one of em. I wanted him to do something weird to me, stalk or kill me.

Perro: Thanx for your time, Allan! Add whatever nonsense you prefer to close this interview.
Meatdog: Watch Cafe Flesh. Fanx Raffa!!!! OMEGAS "absurd visions" favourite lounge room slam song, yeah, yeah now ya doing… the lounge room slam!!!

sabato 14 dicembre 2013

Condannati A Morte Nel Vostro Quieto Vivere

It seems like this year, instead of accumulating records that originally came from exotic and far away places, I've been mainly focused in filling up my collection of classic local bands release. Partially it was due to the absurd prices that getting a record shipped from overseas has reached in these days. Nontheless, I think that, after the finns, we have unleashed the best hardcore from europe in the 80s.
Negazione is for sure one of the most well known name worldwide when it comes to italian hardcore. Until a few days ago, the only Negazione record I've ever owned was an orange copy of "Lo Spirito Continua..." on TVOR. It stayed in my house for only a few months since I've ended up trading it for an I.R.A. lp. Never been too much of a fan of that album. Their best releases are the first two eps. Here's a copy of the 1985 self-released ep "Condannati a Morte Nel Vostro Quieto Vivere". Love the artwork and the huge insert. I don't think I need to explain how great the music is. Here we're talking about a genre-defining band that still influences legions of band everywhere. Not at all a hard to find record. I guess that it was pressed in huge quantities. Got it from a local guy for the price that I wanted so I think I've made a good deal considering that it also comes in excellent conditions which is something quite rare when it comes to old italian records...

mercoledì 4 dicembre 2013

Gyou Shou

The older I get, the harder it gets to find new bands that really thrill me. Perhaps it has something to do with the fact that, after 20+ years of listening to this kind of shit, you need more from a new band than just being fast, loud or noisy. You need it to be bloody good at what it's doing. It seems like all the new bands that people are praising enthusiastically are just ok to my almost senile parameters. My left hand is indeed more than enough to count the 2013 new releases that floored me. 
Well, the second Nemesis ep "Gyou Shou" definitely made it in that list. Being so thrilled about a new release is something that made me feel like I was 16 again. I've checked daily if it was out for over a month and I even got pissed when it tooks a bit longer to be released. Trust me, here we're talking about a band that's more than good. This is "Gauze" good. Traditional Selfish Records style japanese hardcore that continues exactly where it left in their incredible 2011 debut ep Dou-Koku. This is simply perfect. A band that's so energic that could be considered a renewable source of energy. Without any doubt, the best new band outta japan. My only complain is that 4 songs are not enough, I want a full album! Kudos to them also for being from Kyushu and not playing noisepunk. Courtesy again of Ratbone, Solar Funeral and Flower Of Carnage. 200 on white for direct mailorder and 800 on black for the riffraff. Comes with a beautiful full-coloured cover and insert with lyrics translated in english & download code for you fancy people that enjoy listening to music via your bloody phone.

mercoledì 27 novembre 2013

Domestic Violence Kept The Neighbourhood Quiet

The last effort from Coffin Cut Records has been a split 12" between two Sydney's bands: Deathcage & Unknown To God. Limited to 300 copies, 100 on white for the aussies, 100 on red for overseas market and 100 on grey that came with a bonus 7". I was indeed expecting red wax since I got it from an euro dealer but I've ended up with a white copy. Nothing to complain about it, I think it matches better with the cover colours. Gatefold cover. All in all a very well packaged release with super cheesy artwork!
I've been a huge sucker for all Deathcage material, although I think they reached their peak in their third ep "tomorrow we die". Perfect songs with the perfect production. While the "plague of the rats" full length suffered a bit from the too clean production, here Deathcage went back to a rougher sound. Maybe a bit too raw for a burning spirits band and the mixing could've been way better (expecially for the vocals). Nerdy details apart, these tracks prove again that they still are one of the few bands able to nail down this style perfectly (outside japan). I was unfamiliar with Unknown To God from Sydney too but their midpaced metallic crust didn't impress me at all. Sounds like the dumb Tragedy cousin from downunder. Never been a fan of this style, sorry. 
In the same order I've managed to get a record that somehow I kept forgetting to order during the last 5+ years. The one and only full length from one of my favourite aussie band ever, the mighty A.V.O. (Apprehended Violence Order). Downloaded it when it came out and loved every seconds of it but  I've ended up getting a real copy only now. Well, better later than never. Solid hardcore deeply rooted in the early 80s' USHC tradition but with a typical aussie "fuck you" attitude. A band that never got the recognition they deserved, probably only due to their geographic isolation. 19 tunes of perfectly executed, pissed off, un-PC hardcore that sounds like the retarded child of a Vile & Gang Green gang bang. This version contains indeed a Vile cover, while the cd version has a Bad Posture cover (Get Tough). They broke up after releasing this, so this is their testament. Do I even need to comment the incredible artwork? A truly australian hc classic. Praise to Even Worse & Kangaroo Records for releasing it on wax.

mercoledì 20 novembre 2013

WRETCHED interview 1985

Since I've posted a lot about italian hc recently, I guess that it was the right time to post this interview. Taken from Warning'zine vol. I. Originally it was supposed to appear in 80s' dutch 'zine De Minima but ended up being unpublished for two decades. Not the best interview of course but a nice document of that era.

lunedì 11 novembre 2013

Lonely Rock

Recent repress of Lipcream's debut ep "lonely rock" 7" that originally came out on Hold Up Records sometimes around 1984. Courtesy of Dynamite Records, a label that I guess has some direct connection with the band. It's a perfect reproduction of the OG version and it also comes with a sticker of the looks-like-a-penis-to-me famous rocket cover. Here we're dealing with the debut release of an unfuckwithable japanese institution that had a huge role in defining the traditional japanese hc sound associated to the legendary Selfish label. A bit rougher compared to the albums but it's still a feast of an awesome riff after another. One of the few puck/hc bands that is able to incorporate solos that don't suck in their tracks. At this point I'm quite hopeful that also "night rider more than fight!" will get the same treatment in a not so far future...

mercoledì 6 novembre 2013

Passione Nera

I can't think to a better record for this period of the year than Nerorgasmo "passione nera: discografia 1985-1993" double lp. Well, a copy of the self titled ep would be better of course but hey, you cannot always win. And, honestly, the guys at F.O.A.D. headquarter have outdone themselves so much this time that I can live happily with this for now. Seriously, the whole packaging of this record is so outstanding that left me wordless. Housed in a hard bound case wrapped book-like fat gatefold that includes a 24 pages booklet with Luca Abort's drawings (some unpublished 'till now), liner notes, lyrics & pics, this is probably one of the best packaged record ever.
Born from the ashes of Blue Vomit, Nerorgasmo was the darkest, gloomiest & most nihilistic band that ever came out of italy during the 80s'. Definitely an unique band way ahead of its times. Not only musically, but also lyrically. I'm indeed sorry for all ya non-italian readers. Without understanding Luca Abort's lyrics, you're missing 50% of Nerorgasmo greatness. Seriously, some of the sickest & most obscure poems you'll ever read. 
On lp one you'll get the infamous s/t ep, some awesome unreleased studio recordings from 1987 & a couple of live sessions respectively from '86 and '93. The second lp has the remastered version of the 1993 full length. Great stuff but way inferior to the earlier material. There's something about the sound of the full length that doesn't work. Plus Luca's vocals aren't as sick as they used to be in the ep. Anyhow, way better than your bands lp. Get this record as soon as you can, for 20€ only it's a bloody good deal.