sabato 10 marzo 2012

EXTORTION interview 2006

What can I say about Extortion? When I was in Perth I saw them live a couple of time and I was totally annihilated by their intense, angry, non PC fast hardcore. Interview conducted with singer Rohan via email on sept. ’06, just between their first ep and first lp (their best period, imho). Originally featured in PM#5.

Perro: Hi Rohan, how’s going there? Before starting the Extortion interview I’d like to ask you a couple of questions about your previous band, All In Deep Shit (by the way, great name!). It seems that AIDS had a very brief life…why did you break up so early?
Rohan: actually aids was around for quite a while, we started in march of 2001 went through about 3 guitarists before rhys join and broke up in 2003 when our vocalist, robin, left for melbourne. we reformed and did a short tour of the eastern states when the 7" of our recording came out. i must point out that aids was a pretty shithouse band, it was (for most of us) our first band and for the majority of our existance we were more like the musical equivalent of a sloppy steaming pile of horseshit.

Perro: Since half of the AIDS members were also in Extortion at its beginning, could we consider the bands connected in some way? To make it more direct: is Extortion the continuation or the evolution of AIDS?
Rohan: there was quite a gap between aids and extortion, and we all formed a bunch of bands in that time. towards the end of aids i ws writing heavier, more grindcore tunes and after aids broke up wrote started a band called halo of knives with james who played drums in aids and jay who is the current guitarist in extortion. i'd say halo of knives was the natural progression of aids, in terms of my songwriting. rhys on the other hand wrote the more technical powerviolence songs, something along the lines of youth enrage.
extortion was really more of a progression from nailed down, who i also played bass for. there were a lot of songs i had written for nailed down that we never got around to learning before we broke up, so when rhys said he wanted to drum for a band (he previously played guitar in aids, the collapse and 5.3 billion other bands) in the style of early boston/infest i had songs ready to go and rhys wrote a few and we had a set in no time.

Perro: The way you sing in both band is very different: in AIDS it was more a fastcore screaming style while in Extortion you are using a more traditional yelled approach. Why did you decide to change the way you sing?
Rohan: haha, actually i played bass in aids, robin was our vocalist, we're both pretty haggard looking dudes, so i can understand the mix up. the songs we had for extortion were angry sounding songs, so i'd write lyrics about how shit work and my boss is and other crap that pisses me off and yelling that way just seems right for the subject matter i guess.

Perro: Ok, it’s time to close this brief trip to the past. Since I don’t think you are very well known here, introduce Extortion to the uninitiated!
Rohan: extortion is a band from perth, australia. we play fast angry hardcore. like if infest, no comment and crossed out gang raped siege whilst negative fx witnessed the ordeal and ran off to ring the cops (who happen to be repulsion, terrorizer and early napalm death).

Perro: You are going to have a new release on Deep Six and I think this label is perfect for your style. When you told me that, you were very happy and in some way proud of it…
Rohan: haha, is this a question? thanks raffa! i'm fucking stoked to be on the same label as infest and numerous other bands i listen to on a unhealthily frequent basis

Perro: Have you already recorded it? I think that with your new drummer Dean your sound is improved a lot…
Rohan: yeah we recorded it in febuary this year, a month or two before rhys (our first drummer) left to find ugly chicks to fuck in europe. our songwriting evolved a lot since the first e.p so the songwriting is a lot stronger. rhys's drumming improved tenfold since the first recording, not surprising considering he'd only been drumming a few months.

Perro: Talking about dean, he’s a living drum machine! Are his arms insured?
Rohan: he's not currently insured, so nowadays after we play he usually just gets dismantled and put back in the box he came in and kept under the stairs. he's good, but with the price of petrol these days he's expensive to run.

Perro: This one is directly for Dean: Your hardcore “pedigree” is very impressive, you played with Rupture, Nailed Down and also Heist. Can you tell us some funny or scary anecdotes about these experiences? 
Dean: Considering i hate everyone that i have ever played in bands with, i don't hang around them long enough to have any anecdotes worth telling except the one where I smashed andrew (singer from rupture) in the streets of melbourne cause he asked me for money for heroin... and considering i hate junkies more than i hate the people in the bands i played in... it was worth it.. at least he is dead now.

Perro: Your lyrics are very negative, depressed and full of violence. Are them inspired by the huge number of MTV kind of punks that I saw all around Perth? Seriously, you are a very nice and friendly guy, totally different from the idea that someone could have after reading your lyrics. What’s the font of inspiration for them?
Rohan: im a bit of a pessimist i guess. on top of that, whilst i'm willing to talk to anyone, if they repeated talk solely about inane boring tripe or outright retarded shit, i just won't have anything to do with them. songs are usually about these type of people. as for MTV punks, well yeah, they suck, but so does the majority of the population, so its no surprise.

Perro: “Mindless violence” is obviously a tribute to gore movies. What’s your favourite one? If there was an Extortion movie, how would it be and who would direct it?
Rohan: im a big fan of cannibal movies, and ruggero deodato's cannibal holocaust is a favourite. along with braindead by peter jackson for its sheer gore overload. as for an extortion movie, i think it'd be more like a series we had over here called blue murder, it was about corrupt police. i doubt anyone could say we could be seen as moral enough to pass as police, but the arseholes in the police force that i always seem to encounter would prove otherwise.

Perro: I was very impressed by your live performance, especially the gig at your house with Jaws was totally crazy! Are you neighbours threatening you for hosting shows in your living room?
Rohan: i'm surrounded by stores, the closest house is maybe 50 metres away? so yeah, i guess we are far enough away that its not too noisy. it seems every single person who has made a complaint about noise has disappeared in suspicious circumstances before anything came of it and we've had not one complaint which makes these disappearances even more suspicious.

Perro: I’ve always had the impression that aussie scene is a bit ignored by international diy scenes. Do you feel that? I’ve also noticed that sometimes Perth, due to its geographical isolation, is skipped by overseas touring bands…
Rohan: yeah, well australia is so far away it costs a shitload to get here and the lack of population makes for pretty small shows, so i can understand why it would be seen as a bad idea to come to australia. its only been recently that enough people have been going to shows to make it worth while for international bands to fly all the way over here. Perth is just a more extreme version of this situation, its all the way over the other side of the country, so you're paying around $500 each person to play to a small crowd in most cases. that said perth is getting better, we're getting 100-200 people going to see most touring bands.

Perro: On the other side, Perth is the undisputed capital of australian hardcore. Almost all the classic aussie bands seem to arrive from there. What’s the secret for being so good when it comes to play hardcore? I’ve read somewhere that is also the same for many others music genres…
Rohan: perth seems to have a history of fast hardcore, from the 80s through til mid-late 90's there's always been a bunch of fast bands around which is kinda weird considering how small and isolated perth is. i'd love to know how those early bands heard about this style. there are also a lot of KBD bands from perth, the victims, quick and the dead, etc. i don't really know much about other genres, but apparently perth is huge for drum and bass, hahahah

Perro: Perth and HC gossip: I’ve read about a famous controversy between Rupture and Nailed Down some years ago. Could you tell us all the spicy details…
Rohan: hahah, i wish i knew too! i've quizzed kim from nailed down about it, but to no avail and i've spoken to matt from rupture and he doesn't know what it was about. seems to be some sort of animosity between kim and andrew (gus chambers).

Perro: Introduced european species like rabbits, bees or foxes are a serious threat to your unique and delicate environment. I’ve noticed that in many national parks the questionable solution is poisoning and killing them. What’s your opinion about that?
Rohan: it seems that nowadays whilst they try their hardest to stop feral and introduced animals, its only slowing their spread as opposed to stopping them. its kinda fucked. i dunno much about animal control, so i can't really comment on whether poisoning them is bad or not. given the amount of animals and the vast amount of land they inhabit, i can imagine there would be little other choice?

Perro: Some years ago a refugee boats was refused to land by John Howard’s government. You still have him at the power, is the immigrant situation getting worst?Rohan: hahaha, everything has been fucked over here for a long time, as far as politics is concerned. though i imagine its the same everywhere if not worse. its seems like there is no choice, no one is making the right decisions and the majority of the public are more concerned with whatever paranoia they're being fed by newpapers and television.

Perro: Plans for the future?
Rohan: we're always writing new stuff, and we've got enough for a new e.p now, but booked in at the studio in december, so we'll probably have a monumental amount of stuff by then. i'd love to tour, but its a matter of money and time and the fact that i'm lacking both of them.
as for myself, just keep working my shitty job just to keep on top of rent and bills, hopefully one day save enough to travel! see you then raffa!

Perro: It’s time to conclude, thanx for your time! Any last words of wisdom?
Rohan: i'm not a wise man, and hence have nothing wise to say. perhaps don't do anything i would do? that'd probably the best way not to fuck anything up, really.

venerdì 24 febbraio 2012

Total Noise Core

I've been waiting for this record for over a month. Apparently, the guy I've bought my copy from was out of town for about three weeks and asked his girlfriend to ship all his parcels. Of course she didn't do it. Never trust a woman.
What we got here could easily become the noisecore record of the year (well, technically this was released on 31/12/2011, but c'mon...). Just look at the puerile artwork and labels, if you're not excited like a schoolgirl about dumb stuff like this, I feel sorry for you! When it comes to make records looking cool without being too fancy, Hardcore Survives has no contenders. I love their coloured dust sleeves that always match perfectly with the artwork. 
Thanx Buddha not only this ep looks cool, it also contains awesome music (or should I'd better say noise?). I do really appreciate that, while both Control and Stagnation are influenced by the usual suspects (Confuse and Disorder, respectively), they are not ruining their sound by hyper-distorting everything (like lots of japanese bands have done in the last 4-5 years). For sure the guitars sound like chainsaws, but under the fuzz you can also enjoy the structure of the songs. So the final result are some memorable tunes, not a simple blur of generic noise. Get this one before its too late!!

domenica 19 febbraio 2012

DEATH SENTENCE (australia) interview 2006

Great interview conducted a few years ago with one of my top five ever favourite aussie band: the legendary Death Sentence. If you haven't heard their mighty "Ryan Thanx for the Support" 7", do yourself a favor and go hunting a copy immediately! Originally featured in great oz zine Mind Control#3 (I'm still looking for #2, if you can help, hook me up!)


domenica 12 febbraio 2012

Nobody Likes A Thinker

It has been bloody cold in the last two weeks. Temperatures rarely went over 0° and we got snow too. I do really hate winter. Everything get slower. Of course it has been a perfect excuse to avoid updating this blog in the last weeks. But, on the other side, my worst enemy, the damn poste italiane, also seems to be slower than usual in these days (not that they are that efficient when weather is nice and warm). I've been waiting for a couple of parcels for some weeks now but there's still no sign of life in my mailbox. Thanx Allah this weekend we got the local record fair in Milano so at least I got some new wax to avoid going through a vinyl withdrawal...

Last time I was there it was quite disappointing. The only good score was a Void/ Faith split (french press), for the rest I just got some boring represses. Not that there wasn't hot stuff, but it was way too overpriced for my pockets. This time it was better. I went with a friend early in the morning since we thought there would be less people around. Of course every other smart ass record nerd got the same bloody idea so it was packed as hell!
Anyway, here's the new kids on the block:
Let's start in Sydney, Orstralia. Year of the lord 1986. Massappeal's debut full length "nobody likes a thinker". This record has been in my want list for some years now so I'm glad to finally own a copy in excellent condition for a fair price. Not sure if the purple cover is the first or the second press. All I know is that it looks way cooler than the white one. What else can I say? If you're not familiar with these guys, definitely check this out. Top notch fast hardcore in the classic mid 80s tradition. I'm pretty sure someone would call it crossover, but I'm not sure if I'll go that far....
Let's cross the Pacific Ocean and, almost around the same time, the mexican scene was unleashing two excellent bands: Histeria and Masacre 68. This is a repress of the original split 7" with lots of extra tunes. It came out in 2K. I know, I know picture disk sucks. But this is a hell of a record if you like your south american hardcore. Raw and direct in your face brutal shit. Sleeve is a two-sided printed sheet with artwork on one side and liner notes and track lists on the other one. It's on bad quality and extremely thin paper, so it was pretty damaged and required an immediate treatment to prevent further damages. I've put a thick piece of cardboard between it and the record to avoid that it deteriorates even more in the future.  
Back to Italy. Even if in the early 90s' I used to hang out sporadically with this guy that everyone called "Kina" ('coz he was a big fan of them), I've never gave them a chance during all these years. My loss since Kina debut album "realtà irreale" is a solid record with lyrics that seems to be smarter than your average annoying militant band from italy of that era. This copy is missing its xeroxed lyric sheet that originally came with the record and the cover shows signs of the time but for 10 eurobucks I can easily affirm I've made a good score. 
Last but definitely not least, the repress of the uber-rare finnish classic Kaaos/Cadgers split ep. I love finnish hardcore and this is definitely one of its finest moment. Of course it's not the original first press that came out for P.Tuotanto in 1982 and now goes for big bucks. But at least its the official repress on Anomie from 2005. A perfect reproduction of the original and I've even been lucky enough to get the limited red vinyl, so I won't complain at all. In case you live under a rock and don't know it, Cadgers renamed themselves Riistetyt after this very record.

martedì 24 gennaio 2012

ANTI YOU interview 2008

Great hardcore from Rome fueled by classic 80s' USHC. Interview conducted with guitarist Pierluigi around 2008.
Perro: Let's start with the classic who do what, how you got together blablabla...
Pg: Anti You started couple of years ago, by Paolo(the drummer) and me. We used to meet sometimes in the reaharsal room to play some cover songs, just for fun, you know, guitar and drums.. then we tought of adding a bass player, and we called Marco, who was already a friend of us, then the last step was natural: finding someone to scream, and starting to write our own songs. So we called Andrea, who had been playing in bands for years but never sang, and that was it.

Perro: I love the name you've chosen for the band, it's direct and with an explicit "fuck everyone" message. How did you end up calling it Anty You? What were other unchosen options?
Pg: There were too many unchosen options, but none worth to mention. The name Anti You came up after cuttin the th from Anti Youth, wich was the first option, since we’re all over 30 and we hate the kids. It definitely has a “fuck everyone” message, wich reflects the attitude of the band as a whole and individually. I guess you can see that in our lyrics too.

Perro: I've read a lot of reviews where you've been described as a faster Circle Jerks version, which can give a decent idea of how you sound but also is a bit reductive. How would you describe your sound to the uninitiated?
Pg: I would describe it as hardcorepunk. Simple, fast, angry and straight to the point. No bullshit, no frills. That’s what hardcorepunk is to me.

Perro: You are getting lots of international attention and you have also released some eps on US labels like No Way Records and Punks Before Profits, which is something that doesn't happen frequently to italian bands...how do you explain it to yourself?
Pg: Actually i think european bands in general get more overseas attention now compared to 10 or 15 years ago, so it’s a bit easier for italian bands too. It all started when we met Ryan (Punks Before Profits) here in Rome, we played together with his ex band I-Object two years ago. We sent him our songs and he said cool let’s do a 7”, which got great reviews and sold very well. Then Brandon (No Way) asked us to repress our cd on 7”, and... that’s it! Our latest release “Johnny Baghdad” 7” is out on an american label too, Puke n Vomit.

Perro: Your lyrics are very pissed off and with a "leave me alone" message, which is something quite common for bands with older people involved...
Pg: Andrea writes all the lyrics, wich are usually pissed off and we all relate to them.

Perro: You are the only italian hc band with a direct reference (Pig City Life cover) to our beloved prime minister Silvio Berlusconi. I mean, it should be like Ronnie in the 80s' in the US but it seems like everyone is avoiding to mention him in any way...
Pg: Actually our intent was not to refer to him directly, also because apart from us italians, not everybody knows who Berlusconi is. But it came out as a mix between him and the pope, wich is fine to us. I don’t know why hc bands dont refer to him directly.. maybe cause they’re a afraid of some legal consequence? Or maybe cause he’s a too easy target...

Perro: What's about the "Johnny Baghdad" ep? Can you explain the meaning of that title?
Pg: Johnny Baghdad is a song about a punk who decides to go in the army. It might look weird, but probably it’s not.

Perro: You did a east coast US tour recently. What were the highlights? Any scary story? Do playing at Bob Suren's record shop sucked so much as you described in your tour report?
Pg : It was overall a great experience, we had some great shows and some “less great” shows. We toured with our friend’s Ryan band Religious SS Disorder, playing mostly diy basements shows. The best one was not in a basement though, but in a sushi bar, in Richmond (VA), together with Government Warning and a local band called Archaic. Other great shows were in New Brunswick (NJ), Philadelphia, Ft. Myers (FL), Buffalo, Boston. We played with amazing bands like Government Warning, Lybians, Rational Animals, Coke Bust, American Cheersburger, Merkit, Cult Ritual, Double Negative, Oppressed Logic, I Hate This and more. The show at Sound Idea was kinda weird.. i wouldn't know how to explain... weird atmosphere... it looked like people were not there because they were interested in us, but because they had to support the show. Maybe it was just us.. we had a 16 hours straight drive to get there so we were a bit tired and weird ourselves. Plus, we expected Florida to be much warmer that it was! Bob was totally cool though and playing at his record store was still pretty cool, you know, we all grew up reading his ads on Maximum Rock’n’Roll and listening to Burrito records!

Perro: Name some popular hc bands that didn't/do not deserve so much attention...
Pg: i’d say 90% of the “modern” hardcore.

Perro: Isn't Dogmatized one the best band coming out of Rome ever? Any other underrated local band worth to be mentioned?
Pg: i don’t have their 7”, i never saw them live and I doubt i’d like them. As for roman bands, nowadays there are so many.. probably The Fourth Sin, Coloss, Strength Approach, Tear Me Down, Coke Rocket (wich are not hardcore but still great) and Die! (who just broke up) are the ones worth checkin out. I think the most underrated band in Rome has been Flu!, where our drummer Paolo used to sing. Great band, they should have gotten more credit.

Perro: You're all into your 30s'. What keep you still involved in hardcore? How's your perspective of it has changed compared to when you were 16 or 18 years old?
Pg: I’m 30 and I’m the youngest guy… I’ve been playing in bands since I was 17, and I guess the reason why I’m still doing the same old hardcore shit is because in these 13 years I haven’t changed that much as a person. I mean, back then I was pissed and depressed and I loved this fast and angry and simple music that really fueled me and I loved everything that surrounded it, the people, the political aspects, the DIY idea, the shitty dirty places where shows were set up, I loved being different from the average Italian guy, etc… so basically I still keep playing it cause I still love all those things. Maybe one day I’ll start hating them, or some of them, but so far so good. I guess the hardcore scene has changed quite a lot since i was 16. Hardcore has become much more popular than it was, maybe mainstream in some ways.. and nowadays bands, most of them, suck!

Perro: What's your worst nightmare?
Pg:i hardly remember when i dream of something. But i know usually it’s nightmares.

Perro: Are you happy of having a fascist as a mayor of Rome?
Pg: of course not, but sometimes i guess people get what they deserve.

Perro: Anything planned for the near and not so near future?
Pg: yes. I’m supposed to find a job. The other guys already have one.

Perro: Thanks a lot for your time. Anything wise or dumb to close this interview?
Pg: thank you for the interview, i guess i’ve already been dumb enough, and unfortunately i have nothing wise to add.

giovedì 19 gennaio 2012

WARSORE & GORE BEYOND NECROPSY flyers

Australia and Japan have always been my fave countries when it comes to hardcore. Both GBN and WARSORE were respectively the first one from these places that I've got into around mid 90s' and I'm still obsessed with them. Here's some scan of some flyers that I got directly from the bands back then.

GBN flyer for two gigs in Tokyo, 199?
WARSORE plus other live @ Arthouse, Melbourne

GBN, WARSORE plus others live @ The Tote, Melbourne

lunedì 16 gennaio 2012

EXIT HIPPIES are way better live than on records!

Never been a big fan of their records but this video rules. Maybe I've checked the wrong ones?